Dwight Weller
The Fibox from Lightwave Systems inc.
(LSi) is a creative approach to transporting broadband (0.1 Hz to 25 kHz) two-channel
audio on one fiber optic cable. It can do so with no degradation or
compression-related artifacts.
Using 20-bit linear A/D and D/A
conversion, this "Cool Stuff"-winning product marks a milestone in hauling audio
point-to-point while eliminating problems often associated with distance, copper wire,
ground loops and EMI/RFI.
On the panel
The FBAI-M transmitter of the Fibox set
measures 5.7 inches by 1.7 inches by 8.2 inches and weighs less than four pounds, making
it easy to slip into a remote kit.
The rear pane; of the unit features
XLR connectors for audio input, a phase reversal toggle switch, 12 VDC power jack, a DB15F
data port and an ST style connector for the multimode-type fiber optic cable.
The front panel contains a mic/line
switch and rotary attenuator for mic level control from -70dB to +20.5dB, a 48-volt
phantom power switch and a main power switch with green LED power indicator and red
overload indicators.
The FBAO-M receiver is of the same
dimensions and weight as the FBAI-M and has rear panel connectors for +4dB audio output
via male XLR connector and a ground-lift switch along with power, data and fiber ports.
The simple front panel has a power
switch, green LED power indicator and a quarter-inch TRS stereo headphone jack.
Hauling audio
The obvious typical applications for the
Fibox system include venues where audio must be transported over short or long distances
such as STL applications, theme park runs, stadiums, live concerts, film lots and golf
tournaments.
The Fibox is capable of wide
bandwidth, 100dB channel separation, "A"-weighted 108dB S/N ratio with an IHD+N
of 0.006 percent.
Three Fibox units may be mounted next
to each other in a single 19-inch rack space. The chassis have a dovetail on each
side which allows the units to slide together - a nice feature in both remote vehicle and
control room environments. |
Additional
LSi components can be added to the system, such as the LK6-I (input) and LK6-O (output)
kits; these allow as many as six Fiboxes to share a songle fiber optic cable, providing
twelve discrete audio channels with the first unit in the chain as a master and the other
units as slaves. SMPTE
Time Code may be passed through the master fiber via optional FBSMPTE-I and FBSMPTE-O
external modules. These SMPTE modules replace one Fibox audio input/output pair in
multiple channel configurations, allowing five Fibox audio units (10 audio channels) plus
SMPTE code on one fiber cable.
Control signals, synchronization
protocols or data can be transported through the Fibox with a little coaching from factory
technicians. Conservation of cable can be appreciated in situations where multiple
signals and information from the same location are routed to the same destination.
Lighthouse Digital Systems, a
seperate company not connected to LSi, manufactures a unit called the Pathfinder which
provides additional capabilities when used in conjunction with Fibox.
The Pathfinder is a high-speed
switching and routing matrix that accepts virtually any type of digital signal, either in
fiber optic cable or as an electrical signal on coaxial cable.
It allows digital-domain switching of
the bit-stream from a Fibox input unit (or several units) to various Fibox output boxes,
or switching to AES/EBU digital output interface units forthcomming from LSi.
The not-so-obvious uses of the Fibox
set include seismic technologies of fault monitoring and oil/gas exploration. More
important to broadcasters: communications links in EMI.RFI-polluted environments that
would not otherwise be possible where RPU and wireless mics present unwanted surprises
during or before a broadcast.
As an added plus, frequency
coordination becomes a thing of the past when optical fiber is used.
Let there be light
I bench-tested the demo
unit end-to-end by using the factory-supplied 2-foot fiber jumper cable. The set
exceeded manufacturer-published specifications by a fair margin as well as performing
beyond the capability of conventional broadcast test apparatus. |
 In
fairness to RW readers, I decided to test it under "real-life" environmental
conditions after the bench test and enlisted the aid of supervisory personnel from the
local telephone company. They were helpful in supplying a point-to-point fiber run
of greater than two miles with no intermediate equipment that would have weighted our test
data.
Because they are in the business of
selling fiber optic pipelines to local clients for video and T-1 applications, the local
telco was also able to supply test sets capable of measuring exactly what the Fibox system
could do.
The tests that we conducted verified
that the Fibox performed as well in the field as it did on the bench. None of the
test results changed when the long run fiber was substituted for the short jumper cable.
This fact, when combined with the
performance results already proven beyond the published conservatively-rated specs,
demonstrates quality almost never found with current technology.
The features supported by the Fibox
set - the small size, the 1.2 ampere current requirement at 12 VDC (15 watt AC) and
minimal heat production - combine to make the Fibox an excellent addition to a
broadcaster's remote system. In fact, it could probably pay for itself over time,
factoring in cost differences between fiber and ISDN circuits as well as connecting
non-co-located duopolized properties without tying up their ISDN equipment.
Hop-shots
The Fibox makes those double- and
triple-hop STL shots that depend on line-of-site paths, uninterrupted AC supplies of EQ
telco lines. Simple battery packs can provide hours of Fibox use for remote
broadcasting or during power failures; telco surge protection is not an issue with fiber
systems.
Mobile recording studios, sound
reinforcement companies, theme parks and stadiums will appreciate saving money on time,
labor and material by using fiber multiplexing instead of expensive multi-pair
conventional copper cables and the associated loss of gain and high frequencies over long
cable runs.

For information on the Fibox system,
contact Lightwave Systems, Inc., in Dallas at (214) 741-5142.
Dwight Weller, CPBE, is the owner of
Weller Audio-Visual Engineering in Baltimore, specializing in remote broadcast equipment
rental and onsite production of radio remotes nationwide. He can be reached at (410)
252-8351 or via fax: (410) 252-4261. |